- 'Duh? Art & Stupidity'
Curated by Paul Clinton
and Anna Gritz
- 10 November 2015 to 2 April 2016
Archie & Edith Bunker
Werner Büttner & Albert Oehlen
Marc Camille Chaimowicz
Mario Garcia Torres
Erik van Lieshout
Lily van der Stokker
'duh?' looks at stupidity as a subject and a tactic of art making, with a particular focus on its relationship to the politics and performance of identity. High culture is meant to keep its audience from being stupid, but artists have repeatedly drawn upon stupidity, or playing stupid, as a form of dissidence, irreverence or as a means to cast off received thinking.
To work from a position of stupidity would appear to be a good way to counter knowingness and intellectual superiority, but how can artists adopt stupidity as a strategy without turning it into cleverness? Even if you don't play stupid, how do you make art about stupidity without declaring yourself to be smart? If there are forms of intellectualism that, through being inflexible and unresponsive, appear stupid, then what exactly is stupidity anyway?
Developed from Paul Clinton's research into stupidity, art and identity.
This exhibition does contain content which may be unsuitable for children.
Paul Clinton is a writer and is the assistant editor of Frieze and Frieze Masters magazines. He has taught on art, stupidity and queer theory at Goldsmiths College and the University of Manchester. In 2013 he edited a special issue of the philosophy and critical theory journal parallax on stupidity, and in 2014 the South London Gallery staged a day-long event around his research on this subject. In the same year he organised the conference Shimmering World, which featured presentations by artists Ed Atkins, David Panos and Hannah Sawtell. His catalogue essays include on the work of artists Bonnie Camplin, and Jacopo Miliani. Previous speaking engagements have taken place at the Frieze Art Fair, ICA, Tate Modern, Whitstable Biennale and Whitechapel Gallery, amongst other venues. He was also a founding member of the band No Bra, co-writing several songs on the album Dance and Walk, and with Patrick Wolf he formed the band Maison Crimenaux.
Anna Gritz is Curator for Film & Performance at the South London Gallery (SLG). She worked previously as the Associate Curator at the Institute of Contemporary Arts (ICA), London; Assistant Curator at the Hayward Gallery, London; and Programs Director at apexart, New York. Recent curatorial projects include ‘Sand in the Vaseline’, Material Art Fair, Mexico City 2015; ‘Kapwani Kiwanga’, SLG 2014; ‘Last Seen Entering the Biltmore’, SLG 2014; ‘Bonnie Camplin: The Military Industrial Complex’, SLG 2014; ‘Soundworks’, ICA 2012; ‘Lis Rhodes: Dissonance and Disturbance’, ICA 2012. Forthcoming projects include Michael Smith, Juliette Blightman and Danai Anesiadou and a group show looking at acting and gender entitled ‘The Making of Husbands’. Her writing has been included in Art Monthly; Art Agenda; Frieze; Frieze d/e; Mousse and Cura, exhibition catalogues and books. She is an Attaché for the 20th Biennale of Sydney.